Heckerling’s witty spin on Austen’s “Emma” (a novel about the perils of match-making and injecting yourself into situations in which you don’t belong) has remained a perennial favorite not only because it’s a smart freshening with a classic tale, but because it allows for therefore much more further than the Austen-issued drama.
, one of the most beloved films from the ’80s along with a Steven Spielberg drama, has a good deal going for it: a stellar cast, including Oscar nominees Whoopi Goldberg and Oprah Winfrey, Pulitzer Prize-winning resource material in addition to a timeless theme of love (in this circumstance, between two women) being a haven from trauma.
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Other fissures emerge along the family’s fault lines from there as the legends and superstitions of their earlier once again become as viscerally powerful and alive as their tough love for each other. —RD
The awe-inspiring experimental film “From the East” is by and large an exercise in cinematic landscape painting, unfolding for a series of long takes documenting vistas across the former Soviet Union. “While there’s still time, I would like to make a grand journey across Eastern Europe,” Akerman once said with the drive behind the film.
Montenegro became the first — and still only — Brazilian actor to generally be nominated for an Academy Award, and Salles’ two-hander reaches the sublime because de Oliveira, at his young age, summoned a powerful concoction of mixed emotions. Profoundly touching nevertheless never saccharine, Salles’ breakthrough ends with a fitting testament to the idea that some memories never fade, even as our indifferent world continues to spin forward. —CA
Bronzeville is often a Black Neighborhood that’s clearly been shaped because of the city government’s systemic neglect and ongoing de facto segregation, though the patience of Wiseman’s camera ironically allows for the gratifying eyesight of life over and above the white lens, and without the need for white people. Inside the film’s rousing final section, former NBA player Ron Carter (who then worked to the Department of Housing and Urban Enhancement) delivers a fired up speech about Black self-empowerment in which he emphasizes how every boss while in the chain of command that leads from himself to President Clinton is Black or Latino.
That issue is essential to understanding the film, whose hedonism is simply a doorway for viewers to step through in search of more sublime sensations. Cronenberg’s path is cold and clinical, the near-regular fucking mechanical and indiscriminate. The only time “Crash” really comes alive is in the instant between anticipating Demise and escaping it. Merging that rush of adrenaline with orgasmic release, “Crash” desi porn takes the vehicle like a phallic symbol, its potency tied to its potential for violence, and redraws the boundaries of romance around it.
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Instead of acting like Adèle’s knight in shining armor, Gabor blindfolds himself and throws razor-sharp daggers at her face. Over time, however, the have confidence in these lost souls place in each other blossoms into the kind of ineffable bond that only the movies can make you believe in, as their act soon takes on an erotic quality that cuts much deeper than sexual intercourse.
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The artist Bernard Dufour stepped in for long close-ups of his hand (to get Frenhofer’s) as he sketches and paints Marianne for pornhub c unbroken minutes at a time. During those moments, the plot, the actual push and pull between artist and model, is placed on pause as the thing is a work take condition in real time.
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We asked to wonderful teen blonde gal scarlet red feels well on top the movies that had them at “hello,” the esoteric picks they’ve never overlooked, the Hollywood porn pics monoliths, the international gems, the documentaries that captured time within a bottle, and the kind of blockbusters they just don’t make anymore.